Historical films – Taking Sides http://taking-sides.com/ Wed, 22 Sep 2021 00:21:01 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://taking-sides.com/wp-content/uploads/2021/10/icon-26-120x120.png Historical films – Taking Sides http://taking-sides.com/ 32 32 Is Keira Knightley a time traveler? The best historical films in which she starred https://taking-sides.com/is-keira-knightley-a-time-traveler-the-best-historical-films-in-which-she-starred/ https://taking-sides.com/is-keira-knightley-a-time-traveler-the-best-historical-films-in-which-she-starred/#respond Thu, 02 Sep 2021 07:00:00 +0000 https://taking-sides.com/is-keira-knightley-a-time-traveler-the-best-historical-films-in-which-she-starred/ Actress Keira Knightley appears to have worn more corsets than modern clothes in the movies she stars in. Although Knightley has made a name for himself in films such as play it like Beckham (2002) and Love in fact (2003), she is best known for being the star of many period pieces. Here, we break […]]]>

Actress Keira Knightley appears to have worn more corsets than modern clothes in the movies she stars in. Although Knightley has made a name for himself in films such as play it like Beckham (2002) and Love in fact (2003), she is best known for being the star of many period pieces. Here, we break down Keira Knightley’s best roles in historical films, proving that she truly is a time traveler of the big screen.

1. Pirates of the Caribbean

Orlando Bloom (right) and Keira Knightley (left) in Pirates of the Caribbean: Curse of the Black Pearl (2003). (Photo credit: Walt Disney Pictures / MovieStills DB)

The first historical drama, and arguably one of Knightley’s best-known roles is Elizabeth Swann in the Pirates of the Caribbean franchise. Technically, the Pirates of the Caribbean the films are not meant to be historical, rather they are adventure films with a touch of fantasy mixed in, set against the backdrop of English colonization of the Caribbean.

Elizabeth Swann is the daughter of the Governor of Port Royal and embarks on a pirate adventure that spans four films in which she is present. Knightley was a main character in the first three installations of the Pirates of the Caribbean franchise – the curse of the black pearl (2003), Dead man’s chest (2006), and At the end of the world (2007). She made an appearance in the 2017 installation Dead men don’t tell stories, but made it clear that she would not appear in any Pirates movies again.

2. king arthur

Keira Knightley on the set of King Arthur

Keira Knightley in King Arthur (2004). (Photo credit: Touchstone Pictures / MovieStills DB)

Although the 2004 version of king arthur Stepping away from legend, Keira Knightley’s role as Guinevere solidified her as a rising actress. Its role in Pirates of the Caribbean is originally a damsel in distress, but her role in King Arthur was that of a warrior princess, which required her to lift heavy loads to accurately represent the role of Guinevere.

3. Pride and Prejudice

Keira Knightley in Pride and Prejudice

Keira Knightley in Pride and Prejudice (2005). (Photo credit: Universal Studios / Focus Features / MovieStills DB)

One of Knightley’s most successful films was the film adaptation of Jane Austen’s novel, Pride and Prejudice, in 2005. Set during the time of the Regency in England, Knightley received rave reviews for his portrayal of Elizabeth Bennet. In fact, Knightley’s performance in Pride and Prejudice earned her a Golden Globe and Oscar nomination for Best Actress in 2006.

4. Atonement

Keira Knightley in atonement

Keira Knightley in Atonement (2007). (Photo credit: Focus Features / MovieStills DB)

Keira Knightley transports her audience to the 1930s in the 2007 historical drama, Atonement. Keira Knightley plays a young upper class woman named Cecilia Tallis who falls in love with her housekeeper’s son named Robbie Turner (played by Hames McAvoy). Cecilia’s younger sister, Briony Tallis (played by Saoirse Ronan) falsely accuses Robbie Turner of rape, and he is later sent to the Normandy beaches. For her role as Cecilia Tallis, Knightley was again nominated for Academy Awards and Golden Globes for Best Actress in a Leading Role.

5. Silk

Keira Knightley in silk

Keira Knightley in Silk (2007). (Photo credit: MovieStills DB)

In the 2007 film Silk, Keira Knightly goes back in time to the 1860s. She plays a Frenchwoman named Hélène, whose husband Hervé (played by Michael Pitt) makes a living from silkworm culture. Hervé goes to Japan to buy silkworms and falls in love with a mysterious unnamed woman (played by Sei Ashina). After Hélène’s untimely death, Hervé realizes that it’s Hélène he loved all the time.

6. The edge of love

Keira Knightley in the Edge of Love

Keira Knightley (left) and Matthew Rhys (right) in The Edge of Love (2008). (Photo credit: MovieStills DB)

Interestingly enough, the script for The edge of love was written by Keira Knightley’s mother, Sharman Macdonald. The story follows the life of Welsh poet Dylan Thomas (played by Matthew Rhys) and his wife Caitlin Macnamara (played by Sienna Miller) and their married friends Vera (Keira Knightley) and William Killick (played by Cillian Murphy). The film is set in war-torn London and is an extremely complex story about the four people involved.

7. The Duchess

Keira Knightley in The Duchess

Keira Knightley in The Duchess (2008). (Photo credit: Paramount Vintage / MovieStills DB)

The Duchess is another film that broadly defined Knightley’s career as a serious period actress. The film was inspired by the life of Georgiana Spencer, played by Knightley in the film. She is married to the Duke of Devonshire (played by Ralph Fiennes) when she is very young and first imagines a happy life with him. She is quickly disappointed in him and is heartbroken when it becomes apparent that her husband sees her only as a way to have a male heir.

8. A dangerous method

Keira Knightley in A Dangerous Method

Keira Knightley in A Dangerous Method (2011). (Photo credit: Sony Pictures / Lionsgate Entertainment / MovieStills DB)

A dangerous method examines the birth of psychoanalysis at the turn of the 20th century. Keira Knightley plays a young woman named Sabina who suffers from hysteria. She is first cared for by psychoanalyst Carl Jung (played by Michael Fassbender), and the two quickly become lovers. The relationship becomes more complicated when Sigmund Freud (played by Viggo Mortensen) joins us. Although many aspects of the film are fictionalized, its inspiration is drawn from real events.

9. Anna karenina

Keira Knightley as Anna Karenina

Keira Knightley as Anna Karenina (2012). (Photo credit: Focus Features / MovieStills DB)

Keira Knightley plays Anna Karenina in the 2012 film adaptation of Leo Tolstoy’s classic novel. This film is set in 1874 and examines the Imperial Court of Russia. Anna (Knightley) is married to the important Russian statesman, Alexis Karenina (played by Jude Law). She embarks on an affair with Count Vronsky (played by Aaron Taylor-Johnson), despite her risks. The film won the Oscar for Best Costume Design. Quite fabulously, Chanel created jewelry specifically for the movie and Knightley herself.

ten. Colette

Keira Knightley in Colette

Keira Knightley in Colette (2018). (Photo credit: MovieStills DB)

The biographical drama 2018 Colette follows the life of French novelist Gabrielle Colette. The film is set at the end of the 19th century in France when Colette (Keira Knightley) marries writer Willy (played by Dominic West), for whom she writes the series. Claudine. For a while, Colette is happy in her marriage to Willy, but she comes to blame him.

11. The results

Keira Knightley in The Aftermath

Keira Knightley in The Aftermath (2019). (Photo credit: Fox Starlight Pictures / MovieStills DB)

More from us: 10 “A League Apart” Facts That Are Just As Interesting As The Movie

The results takes place in post-war Germany, when a British colonel and his wife Rachael Morgan (played by Knightley) are posted to Hamburg during post-war reconstruction. The couple share a house with a German family, and Rachael begins to bond with German Stefan Lubert (played by Alexander Skarsgård) following a loss, and the two begin to have an affair.


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The historical films at the head of the summer season https://taking-sides.com/the-historical-films-at-the-head-of-the-summer-season/ https://taking-sides.com/the-historical-films-at-the-head-of-the-summer-season/#respond Wed, 07 Jul 2021 07:00:00 +0000 https://taking-sides.com/the-historical-films-at-the-head-of-the-summer-season/ Promotional material for 1921 Inset: Moviegoers line up to watch a 1921 pre-screening in Shanghai on Friday. Photos: courtesy of Maoyan / VCG Historical films kicked off the 2021 summer film season and will continue to dominate the box office charts on the Chinese mainland, driven by the growing interest of young moviegoers in the […]]]>

Promotional material for 1921 Inset: Moviegoers line up to watch a 1921 pre-screening in Shanghai on Friday. Photos: courtesy of Maoyan / VCG

Historical films kicked off the 2021 summer film season and will continue to dominate the box office charts on the Chinese mainland, driven by the growing interest of young moviegoers in the history of the Chinese Communist Party (CCP).

Two films – 1921 and The Pioneer – released on July 1 topped the box office charts over the past week, with combined ticket sales exceeding $ 67.56 million at the time of publication, according to the platform. Chinese Maoyan ticket office Wednesday.

Historical films and animated films will be the main box office drivers of this summer film season, a Beijing-based Chinese film industry insider told the Global Times on Wednesday.

The landmark 1921 film, which tells the story of a group of young Chinese who gathered in Shanghai to establish the CCP on July 1, 1921, has dominated the Chinese box office since its release. Ticket sales had reached 347 million yuan ($ 53.65 million) at the time of publication, according to Maoyan.

The Pioneer, a Chinese historical biographical film, tells the story of pioneer Li Dazhao, who was one of the main founders of the CCP. It ranked second with ticket sales of over 90 million yuan at the time of publication.

More than 210,000 people have expressed interest on the Taopiaopiao ticketing platform to watch Chinese Doctors, which is slated to hit theaters on Friday. This film depicts Chinese medical workers battling the COVID-19 pandemic in 2020 in Wuhan, in central China’s Hubei province.

Mainstream films such as 1921 and Chinese Doctors chose more notable and popular young actors, who attracted more young moviegoers and sparked a box office surge for mainstream films, the industry insider said. , adding that such a trend is also a great way to educate younger generations about the story behind the movies.

In this year’s summer film season, five mainstream films are slated to hit theaters, the paper.cn newspaper reported on Thursday, adding that 46 films have set release dates for the summer, and 10 other films could be released in July or August, but have not set any fixed dates.


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Historical films: our favorite films from the past https://taking-sides.com/historical-films-our-favorite-films-from-the-past/ https://taking-sides.com/historical-films-our-favorite-films-from-the-past/#respond Mon, 05 Jul 2021 07:00:00 +0000 https://taking-sides.com/historical-films-our-favorite-films-from-the-past/ Ashley Carter (editor) – Waterloo (1970) In terms of precision, energy, scale, and that rare ability to capture a specific moment in time so perfectly, it’s hard to beat Sergei Bondarchuk’s. Waterloo. Not only is this a commendable and truthful portrayal of the most famous battle in history, it also manages to condense a single […]]]>

Ashley Carter (editor) – Waterloo (1970)

In terms of precision, energy, scale, and that rare ability to capture a specific moment in time so perfectly, it’s hard to beat Sergei Bondarchuk’s. Waterloo. Not only is this a commendable and truthful portrayal of the most famous battle in history, it also manages to condense a single day of blind chaos into a concise 134-minute span without ever losing its narrative focus. Rod Steiger and Christopher Plummer are perfectly portrayed as Napoleon and Wellington, two enemies with a reluctant admiration for each other and the weight of their respective nations on their shoulders.

Far from being a grandiose spectacle of blood and violence, Bondarchuk’s film delves into the psychology behind the unimaginable pressure the two men are under, oscillating between large-scale sets and moments of quiet introspective voice-over. It was not a success when it was released, but it certainly establishes itself as a legitimate masterpiece of historical cinema.

George White (co-screen editor) – The Sharpe Company (1994)

Of course, realism is not the main objective of the Sharpe series of movies (yes, movies – it’s definitely not a TV series …) but every release is convincing nonetheless – and The Sharpe Company is perhaps the best of the bunch. Sean Bean is a phenomenal force whenever he graces the screen as the iconic rifleman, elevating shoddy screenwriting to impressive levels with his no-frills acting and legendary accent.

Yet in Company, Pete Postlethwaite steals the show as the utterly loathsome Obadiah Hakeswill, proving a thorn in Sharpe’s side and a constant source of public disgust. Set in 1812 in Badajoz as the British attempt to fight a fortress against their French enemies, Hakeswill proves the film’s true enemy, constantly sinking into new and inconceivable hollows over time. Bursting with tension, violence and deception, this is a hell of a movie.

Jamie Morris (Screen co-editor) – Run (1985)

Akira Kurosawa had four decades of filmmaking experience and over two dozen feature films to his credit when he directed the 1985s. Run. Even the top talent in the industry would be forgiven for losing touch by then, but the Seven Samurai director has remained as sharp as a katana and his latest epic is one of the highlights of his career.

Run was the most expensive Japanese film to date when it was released, shot on location in some of the country’s most famous castles and starring 1,400 armor-clad extras. It all adds up to a captivating and colorful film that ranks among the finest samurai epics ever made.

Hilary Whiteside – Apocalypse now (1979)

Apocalypse now is part of a group of popular American films released in the late 1970s focusing on the Vietnam War. Coppola raised a number of pertinent questions in hindsight. American patriotism is scrutinized, as is the validity of waging war on foreign soil. Human psychological fragility is explored in an alien, macho world, and poignantly, Coppola graphically exposes the utter disrespect for human life and a country’s culture. It is truly an anti-war film reflecting the politically charged and pro-peace movement of the time.

The film follows the river voyage of Captain Willard (Martin Sheen) from South Vietnam to Cambodia as he embarks on a mission to assassinate a renegade officer (Marlon Brando). Part of the film’s success lies in the range of emotions Coppola captures and transfers to the screen. Fear, threat, sadness, euphoria, hatred. The oozing heat, unsettling sounds, utter seclusion and hidden threats of the tropical jungle are palpable as Willard descends the river. It is completely devouring.

Jake Leonard – Aguirre, the wrath of God (1972)

Inspired by Gonzalo Pizarro’s failed expedition to find the mythical town of El Dorado, Werner Herzog’s claustrophobic epic is an atmospheric gem.

Surrendering to the perils of his location, Herzog is able to offer a true exploration of order and chaos, spirituality and humanity, place and people, greed and obsession, colonialism and the commodity. The scenes on rafts in the river rapids are particularly terrifying, with Thomas Mauch’s brilliant pocket cinematography really adding to the experience. And the performances are just as excitingalthough Klaus Kinski steals the show as the lopsided Agirre, who will stop at nothing to be successful (no matter how impossible it is).

This is difficult but fascinating work by one of the riskiest, finest, and most ambitious filmmakers in the business, capturing the mystery and grandeur of a weird, ridiculous, and horrific story almost lost to l ‘story.

Katie Green – My beautiful lady (1964)

My beautiful lady, the classic ’60s musical starring era beauty Audrey Hepburn is a tale that has been reimagined in myriad ways in other films you may be familiar with – one being the one of my favorites, A pretty woman. Well-educated professor Henry Higgins takes working-class cockney daughter Eliza Doolittle under his wing to improve her job prospects.

Like in every musical, there is a song that stands out, and for me it is I could have dance the night away. My beautiful lady is a historic film and, although older than many of our readers, it’s a musical that can be enjoyed by all ages – with a sing-along soundtrack and a plot that will keep you going. really attracts.

Sebastien Mann – A field in England (2013)

Four men, all deserters from the English Civil War, roam the psychedelically spooky English countryside of yesteryear, following a man who may or may not be the devil himself in Ben Wheatley’s funny black gem in 2013 A field in England. The man, O’Neill (Michael Smiley), is on the hunt for lost treasure, dragging the sick and drunken bunch of cowards with him as he walks through a barren field that breathes as if he’s alive.

Directing on a shoestring budget, Wheatley says much of the inspiration comes from accounts of people grinding and eating hallucinogenic mushrooms, and how they would fall under the hypnotic influence of performing magicians. This is by no means a movie for everyone, with its surprising panics and peculiar tone, but if you’re a fan of low-budget weirdness and the English countryside, you’ll find a lot to like.

Chris King – Dead or alive (1995)

The old west. For almost as long as the movies have brought us epic adventure stories, we’ve been fascinated by America’s lawless frontier. Nice guys with white horses and whiter teeth. Outlaw in black; cute anti-heroes or just evil people.

Most would point you to John Wayne and Clint Eastwood for the epitome of the western genre. Me? I bring you the 90s classic of Sam Raimi, Dead or alive. He’s got it all: betrayal, family, a lone gunslinger, and more Midi high quickdraws that you can shake a six shooter. Combine that with a stellar cast of Sharon Stone, Leonardo DiCaprio, Russell Crowe, and Gene Hackman and you’ve got the perfect western.

Stone’s “Lady” is on a quest for revenge, but Raimi’s classic has more heart than you might think. So get in the saddle and enjoy the ride.


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Audience building for historical films takes center stage in Lübeck https://taking-sides.com/audience-building-for-historical-films-takes-center-stage-in-lubeck/ https://taking-sides.com/audience-building-for-historical-films-takes-center-stage-in-lubeck/#respond Mon, 09 Nov 2020 08:00:00 +0000 https://taking-sides.com/audience-building-for-historical-films-takes-center-stage-in-lubeck/ 09/11/2020 – The industry panel, held on November 6 during the Lübeck Nordic Film Days, focused on how to make historical topics current and relevant to today’s audience Laurin Dietrich moderates the panel with Christina Rosendahl and Jonas Frederiksen How can producers and distributors attract audiences to a film dealing with historical themes? What are […]]]>

– The industry panel, held on November 6 during the Lübeck Nordic Film Days, focused on how to make historical topics current and relevant to today’s audience

Laurin Dietrich moderates the panel with Christina Rosendahl and Jonas Frederiksen

How can producers and distributors attract audiences to a film dealing with historical themes? What are the best practices for releasing a period film given current pandemic restrictions? How do you make historical topics current and relevant to viewers today? These are some of the questions addressed by one of the sectoral panels organized by the Lübeck Nordic Film Days, held on November 6. The 62sd The German rally’s edition, originally slated to be a hybrid event, was forced to go fully virtual due to the worrying increase in coronavirus cases and took place from November 4 to 8.

(The article continues below – Commercial information)

series series

The conversation, titled “Bringing the Past to the Future. Audience Building for Historical Films in Unprecedented Times ”, took place against the backdrop of the 100e anniversary of the reunification of South Jutland with Denmark and 100 years of Danish-German friendship. It saw the participation of players from both countries, who shared examples of current and upcoming releases and offered their perspective on building an audience for historic films. The speakers were Filmförderung Hamburg Schleswig-HolsteinManaging Director of Helge Albers, Managing Director Christina rosendahl, Nimbus Film producer Jonas Frederiksen, Tamtam Film producer and distributor Dirk Decker and marketing and distribution representative Henriette Ahrens. The panel was opened and moderated by Laurin Dietrich.

After a brief contribution from Albers, the floor was turned over to Decker and Ahrens, who presented the first case study, namely their campaign for the recent German exit of Kasper Torsting‘s An internal war. Decker explained that the film was a German-Danish-Czech co-production set during World War I and addressed a theme that played a crucial role in the marketing and distribution of the project, namely the historical facts behind the annexation of the southern Denmark, which forced 30,000 young soldiers to fight. for the German Reich. Decker was grateful for the strong support received from international partners, outfits and locals. The original plan was to release the film in Denmark on November 10, 2018, namely the 100e anniversary of the end of the First World War. “Fortunately, we managed to get him out on time despite the tight schedule. We had 45,000 admissions in southern Denmark and the film has become one of the most successful titles released in the region, ”he said. For the German release, the team preferred to wait for a few good selections at the festival and plan a real broadcast in 2020, on the occasion of the 100e anniversary of the border between Germany and Denmark. Later, Ahrens explained in more detail how they worked to intercept the desired German-Danish target groups by adopting a flexible strategy and doing extensive preparatory work. The pandemic disrupted several of their plans, such as the idea of ​​holding a first on the German-Danish border.

The second case study focused on The good traitor [+see also:
trailer
film profile
]
. Frederiksen explained that the team had worked in two directions; namely, a rather conventional campaign dedicated to the interception of the good “appetite” in the televiewers, alongside the will to make a special project capable of promoting “cultural values”. In addition, a lot of work has been done in terms of advertising the film in local media, which “can be a struggle, as these need a local angle” but has proved successful nonetheless. Finally, Rosendahl underlined the importance of the story of Henrik Kauffmann, portrayed in his film, and how it has acquired special educational value in the current context, as it can inspire resilience and relieve viewers in these difficult times. . With local press, the director said their second main target was local movie theater owners, especially smaller ones, who felt left behind during this crisis and were ready to engage viewers in the community again. The panel closed with a short question-and-answer session and Dietrich’s closing remarks.

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More historical films for Jerrold Tarog? – Manila Bulletin https://taking-sides.com/more-historical-films-for-jerrold-tarog-manila-bulletin/ https://taking-sides.com/more-historical-films-for-jerrold-tarog-manila-bulletin/#respond Sat, 10 Oct 2020 07:00:00 +0000 https://taking-sides.com/more-historical-films-for-jerrold-tarog-manila-bulletin/ More historical films for Jerrold Tarog? It looks like Jerrold Tarog is fed up with movies relating to our history, taking to Twitter to respond to a fan eager to learn more. When asked if he still wanted to make the much talked about film about national hero Apolinario Mabini, he replied: “I can’t speak […]]]>

More historical films for Jerrold Tarog?

It looks like Jerrold Tarog is fed up with movies relating to our history, taking to Twitter to respond to a fan eager to learn more.

When asked if he still wanted to make the much talked about film about national hero Apolinario Mabini, he replied: “I can’t speak for the future of myself, but the past / present seems to me. very finished with the historical films after the trilogy. “

Jerrold tarog

He added in parentheses, “if we can finish it.”

The trilogy references “Heneral Luna”, “Goyo: Ang Batang Heneral” and “Quezon”, which has yet to be filmed.

Produced by TBA Films, “Heneral Luna” was a big box office hit, earning P 256 million when it was released in 2015.

“Goyo: Ang Batang Henral”, which opened in 2018, generated some 120 million pesos in ticket sales.

“Quezon”, based on the life of former president Manuel L. Quezon, was delayed after Tarog was hired by ABS-CBN’s Star Cinema to direct the problematic “Darna”, which has since been shelved .



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Darshan opens up on historical films and Kurukshetra as he scores a year at the box office https://taking-sides.com/darshan-opens-up-on-historical-films-and-kurukshetra-as-he-scores-a-year-at-the-box-office/ https://taking-sides.com/darshan-opens-up-on-historical-films-and-kurukshetra-as-he-scores-a-year-at-the-box-office/#respond Sat, 08 Aug 2020 07:00:00 +0000 https://taking-sides.com/darshan-opens-up-on-historical-films-and-kurukshetra-as-he-scores-a-year-at-the-box-office/ New oi-Waiz Ahmed | Posted: Saturday Aug 8, 2020 8:57 PM [IST] Darshan led the multistarr Kurukshetra will end one year after its release on August 9. The lavishly edited mythological action drama is among the biggest blockbusters in Sandalwood history. The demanding star spoke about the genre and the film’s success in an interview […]]]>
breadcrumbs

New

oi-Waiz Ahmed

|

Darshan led the multistarr

Kurukshetra

will end one year after its release on August 9. The lavishly edited mythological action drama is among the biggest blockbusters in Sandalwood history. The demanding star spoke about the genre and the film’s success in an interview with Cinema Express.

Darshan rented

Kurukshetra

producer and said, “Without producer Munirathna, this project would not have happened. Thus, he remains the true hero of Kurukshetra. The credit goes to all the producers, who do their utmost to undertake such projects. I will be part of the historical and mythological subjects as long as we have enthusiastic producers and directors, who have the penchant to bring the story to the screen.

He added: “There is a lot of homework to do whenever I take responsibility for playing a historical or mythological role. My first point of reference was to look at the works of legendary actors like Rajkumar and other senior artists, who have achieved such brilliant roles. I read about the character, followed by a mirror exercise and sketched out the role and style that suits me. There is a lot of homework to be done in such projects.

Meanwhile, Darshan is currently busy working on his next story based on the life of the last ruler of Chitradurga,

Raja Veera Madakari Nayaka
. Directed by Rajendra Singh Babu and produced by Rockline Venkatesh, filming on the project is currently on hold for the pandemic situation to calm down.

READ ALSO: Sumalatha Ambareesh Joins Historic Darshan Starrer Rajaveera Madakari Nayaka, To Play Royal MotherREAD ALSO: Sumalatha Ambareesh Joins Historic Darshan Starrer Rajaveera Madakari Nayaka, To Play Royal Mother

ALSO READ: Independence Day 2020: Five Sandalwood Movies That Will Rekindle Your Passion For IndiaALSO READ: Independence Day 2020: Five Sandalwood Movies That Will Rekindle Your Passion For India

Article first published: Saturday August 8th, 2020, 8:57 PM [IST]


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Historical films can break down much faster than we thought thanks to “vinegar syndrome” https://taking-sides.com/historical-films-can-break-down-much-faster-than-we-thought-thanks-to-vinegar-syndrome/ https://taking-sides.com/historical-films-can-break-down-much-faster-than-we-thought-thanks-to-vinegar-syndrome/#respond Tue, 19 May 2020 07:00:00 +0000 https://taking-sides.com/historical-films-can-break-down-much-faster-than-we-thought-thanks-to-vinegar-syndrome/ An important part of world history faces an existential threat. Acts of the US government, recordings of indigenous Australians and photographs of English seaside life spanning three decades are just a few of the historical records recorded on acetate films that suffer from irreversible damage due to what is called vinegar syndrome. Vinegar syndrome occurs […]]]>

An important part of world history faces an existential threat. Acts of the US government, recordings of indigenous Australians and photographs of English seaside life spanning three decades are just a few of the historical records recorded on acetate films that suffer from irreversible damage due to what is called vinegar syndrome.

Vinegar syndrome occurs when the acetate film is stored in a warm, humid room. These conditions cause the film to decompose. When the film begins to rot, it gives off acetic acid, the same ingredient in household vinegar that gives it its distinctive smell and taste. The acid accelerates the degradation of the affected film and can even damage metal storage containers and other films stored nearby.

Vinegar syndrome cannot be avoided forever, nor can it be reversed. It can only be delayed. That is why archives store their film collections in a cold and dry environment. The film stored under these conditions was expected to last for hundreds of years before vinegar syndrome began to set in. But my colleagues and I have recently shown that these predictions are overconfident and that countless acetate films are threatened with imminent destruction.

Current guidelines suggest that films stored under the same conditions could last around 450 years. For films made in 1950, when acetate films were becoming popular, this implies that vinegar syndrome will not develop until around AD 2400.

But our research predicts that films stored under recommended conditions can last as little as 70 years before developing vinegar syndrome. According to our model, a film made in 1950 and stored under the conditions recommended since then could develop vinegar syndrome this year.

Modeling of film degradation

To understand how film can degrade over long periods of time, scientists perform film experiments at high temperatures and relative humidity. This is called accelerated or artificial aging experiences. Scientists take measurements of a characteristic considered to be a relevant indicator of degradation in the film.

A common measurement is free acidity, which is different from pH. This gives a more sensitive measure of the amount of acetic acid that has built up in the film. Vinegar syndrome is considered to begin when the free acidity reaches a level of 0.5.

By measuring free acidity over time, artificial aging experiments give an idea of ​​how long it takes for the film to develop vinegar syndrome in hot, humid conditions. Scientists can use the results of these experiments to estimate how milder conditions that are more similar to the environment found in the archives will affect the film.

As noted, the acid accelerates degradation in the film, including the chemical reaction that produces the acid in the first place. If the film is stored in a closed container that prevents the acid from escaping (often the case with film frequently stored in metal or plastic cans), this can cause acid levels to increase exponentially over time. time.

In the early stages of degradation, acid levels are low and this tendency is not apparent. This means that in previous studies, the researchers speculated that during the early stages of a film’s life, acidity levels were too low to affect film degradation. Earlier models therefore did not take into account the effect of the acid on the rate of degradation from the start.

Chemical additives in the film can begin to form microscopic crystals on the surface as decomposition sets in.
Ida Ahmad, Author provided

A more recent study of the British Library disputed the hypothesis that acid does not influence the degradation of the film from the start. He found no evidence to support that the chemical mechanism changes when the acidity reaches a level of 0.5.

Our study proposed a model to take into account the effect of the acid during the entire degradation process, including the early stages. We used data two studies of the Image Permanence Institute in the United States to develop and validate the model. We then used the model to make predictions about film stability under typical archival conditions. These forecasts were compared to guidelines in the conservation of films.

Acetate films were widely adopted from the 1950s to the 1980s, so it is likely that much of the photographic record from this period is in danger. For example, the BFI Master Collection consists of over 450,000 boxes of film, 59% of which are acetate films. One of the biggest dangers of films with vinegar syndrome is that if not stored properly, the acidic vapors can spread to other films. A single reel of highly degrading acetate film could seriously damage the rest of the collection if vinegar syndrome is not contained.

There are three bases strategies to treat vinegar syndrome:

  1. Improve storage conditions by reducing humidity and lowering temperature.

  2. Quarantine all films identified as having vinegar syndrome to prevent spread.

  3. Duplicate the movie or convert it to digital media.

The damage caused by vinegar syndrome is irreversible and will eventually make the film unrecoverable, so it is best to follow the tips above. Researchers at Queen Mary’s University in London were recently able to retrieve images from a distressed film reel, which was too fragile and fused to unroll, using an x-ray. digitization technique. However, this method would not be possible on a large scale.

Archives use guidelines to plan their film preservation strategy. For large collections, storing the film in cold rooms is much cheaper than copying. If cold storage could really delay vinegar syndrome until midnight, then copying is not urgent. However, the new model predicts that vinegar syndrome will occur much sooner. We may only have a few years, not a few centuries, to act before these films are lost forever.


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Filmfare recommends: the best historical Bollywood movies of this decade https://taking-sides.com/filmfare-recommends-the-best-historical-bollywood-movies-of-this-decade/ https://taking-sides.com/filmfare-recommends-the-best-historical-bollywood-movies-of-this-decade/#respond Sun, 12 Apr 2020 07:00:00 +0000 https://taking-sides.com/filmfare-recommends-the-best-historical-bollywood-movies-of-this-decade/ Historic films, once staple of the 50s and 60s, have kind of made a comeback lately. They demand a big budget, hundreds of actors, orders for thousands of costumes, the construction of gigantic sets and take forever to shoot. A director has to make sure that everything is in tandem, otherwise things may very well […]]]>

Historic films, once staple of the 50s and 60s, have kind of made a comeback lately. They demand a big budget, hundreds of actors, orders for thousands of costumes, the construction of gigantic sets and take forever to shoot. A director has to make sure that everything is in tandem, otherwise things may very well backfire on them. Sometimes such films also cause unnecessary controversy and a filmmaker has to vary in this direction as well. Therefore, filmmakers tend to avoid taking on such arduous tasks. Thanks to the success of the Baahubali films – which in themselves were not historical films but still carried elements of the genre – interest in the genre was rekindled. The producers have realized that the masses love painstakingly executed costumed dramas. Of course, just padding isn’t enough, the story has to be a cracker as well. Present you with a list of best historical films released over the past decade to help you escape to different realms during this time of lockdown.

1. Historical Bollywood Movies – Bajirao Mastani (2015)

Director: Sanjay Leela Bhansali
Actors: Ranveer Singh, Deepika Padukone, Priyanka Chopra

Bajirao Mastani was a dream project from Bhansali. He had wanted to make the movie since the late 90s but for some reason he couldn’t get off the ground. After going through developmental hell for a long time, the film was finally released in 2015. Ranveer Singh tried out the role of the legendary Peshwa Bajirao I, Deepika Padukone played Mastani, his second wife, and Priyanka Chopra brought the character of Kashibai to life, his first wife. Bajirao was a valiant warrior who extended the power of the Marathas north and south. During one of these campaigns, he meets Mastani, the Muslim daughter of King Chhatrasal and is drawn to her for the valor she displays on the battlefield. She becomes his second wife and a rivalry breaks out between her and Kashibai. Mastani is not welcome at the court of Pune and as a result, Bajirao builds another palace for her and begins to spend more and more time there, causing Kashibai to experience further grief. When he goes to fight Nasir Jung in the South, Bajirao’s mother and his eldest son imprison Mastani and her son Shamsher Bahadur. He succeeds against Nasir Jung but is seriously injured. He wants her released and dies hallucinating to meet her. Ranveer and Deepika were both in their element in portraying the lead roles, but the surprise package was Priyanka, who made us sympathize with Kashibai.

2. Historical Bollywood Movies – Padmaavat (2018)

Historical Bollywood Movies Padmaavat

Director: Sanjay Leela Bhansali
Actors: Ranveer Singh, Deepika Padukone, Shahid Kapoor

Padmaavat tells the immortal love between the Rajput ruler Maharawal Ratan Singh (Shahid Kapoor) and his second wife Padmavati (Deepika Padukone), who was a Sri Lankan princess. They fell in love while recovering in Sri Lanka after being shipwrecked off the coast of the island. He marries her and takes her to Rajasthan, and they are considered perfect for each other. Tales of her beauty reach the ears of Alauddin Khalji (Ranveer Singh), who is mesmerized by the description and wants to see it. Ratan Singh, of course, denies it, thinking it is against Rajput pride. This leads to an invasion of Chittor by Khalji. In order to avoid unnecessary bloodshed, Ratan Singh challenges Khalji to single combat. They both turn out to be equal at first, but later Ratan Singh seems to have the upper hand. He is killed by treason at this point. Padmavati, upon hearing the news, commits suicide by jumping into a burning pyre and other ladies living in the fortress also join her. The film was a visual extravaganza, with Bhansali going above and beyond to maintain greatness. The three protagonists also gave sincere performances.

3. Historical Bollywood Movies – Kesari (2019)

Bollywood Historical Films Kesari

Director: Anurag Singh
Actors: Akshay Kumar, Parineeti Chopra

Kesari is an account of the famous battle of Saragarhi which took place in 1897. 21 soldiers of the 36 Sikh regiment opposed ten thousand Afghan soldiers and did not let them conquer Saragarhi fort until evening. The Afghans’ initial plan was to capture the neighboring forts, Fort Lockhart and Fort Gulistan on the same day. The sacrifice of the 21 lionhearted Sikhs put the brakes on action. Akshay Kumar, who played Havaldar Ishar Singh was the soul of the film. His appearance, his manners made him a professional soldier of that time. The way he rallies the morale of his comrades and leads from the front is an example of true heroism. The film was not chauvinistic. And it showed that the soldiers were ready to sacrifice their lives for their homeland and not because of an allegiance to the British. The action scenes got more gruesome as the death toll escalated, with director Anurag Singh not sparing us the real horrors of war. We can’t help but salute the bravery of the 21 soldiers who gave their all for a cause.

4. Historical Bollywood Movies – Manikarnika: Queen of Jhansi (2019)

Bollywood Historical Films Manikarnika

Director: Kangana Ranaut, Radha Krishna Jagarlamudi
Actors: Kangana Ranaut, Atul Kulkarni, Jisshu Sengupta, Suresh Oberoi, Danny Denzongpa, Ankita Lokhande

Rani Laxmibai, Queen of Jhansi, was one of our main freedom fighters who staged an armed revolt against the might of the British. Not only did she personally make life hell for the British, but her immortal deeds also inspired millions to revolt against the British Empire even after her death. Subhadra Kumari Chauhan’s famous poem Jhansi Ki Rani is a prime example of the inspiration of her life as Chauhan wrote at the height of India’s freedom struggle against the British and the poem ignited the flame of patriotism in many hearts. Kangana watches the mansion born playing Laxmibai. She channels the spirit of the Warrior Queen and is her fierce best in war scenes and also manages to give us a glimpse of the icon’s mellow side. She is aided by a talented cast including Atul Kulkarni as mentor Tatya Tope, Jisshu Sengupta as her husband Gangadhar Rao, Suresh Oberoi as father figure Bajirao II, Danny Denzongpa as warlord Ghulam Ghaus Khan and Ankita Lokhande as Jhalkaribai, the woman who pretended to be her and helped her escape. Manikarnika is a moving saga and we can all inspire each other when it comes to emulating determination and bravery.

5. Historical Bollywood Movies – Panipat (2019)

Bollywood Historical Films Panipat

Director: Ashutosh Gowariker
Actors: Arjun Kapoor, Sanjay Dutt, Kriti Sanon

Panipat brings to life the Third Battle of Panipat which was lost by the Marathas under the leadership of Sadashivrao Bhau (Arjun Kapoor). Sadashiv was successful against the Nizam of Udgir in the south and therefore received command of the Maratha army against the Afghan leader Ahmad Shah Abdali (Sanjay Dutt). It is a long march from Pune to Panipat and Sadashiv planned to use the services of the Maratha chiefs installed along the way, asking them for rations and men, thus strengthening his army. He also hoped for the support of the Sikhs and the Rajputs against the Afghan invaders. But things did not go as planned. Most of his alliances have failed. His army ran out of rations. They were also crowded with large numbers of civilians who had followed his army. This included the pilgrims, as well as the wives and children of the soldiers. The director pleaded for the unity of Hindu Muslims with the film. Muslim son of Bajirao by Mastani, Shamsher is Sadashiv’s most trusted assistant and fights alongside him. Ibrahim Khan Gardi is also proving to be a crucial part of his war machine. Overall, it’s a detailed war film, showing us how it’s not just bravery but strategy that makes the difference between victory and defeat. The intricately crafted war scenes feature prominently in the film. You can feel the noise and the tremors going through you as the cannons start to blaze. The formation of troops, the deployment of various devices add drama to the story.

6. Historical Bollywood Movies – Tanhaji: The Unsung Warrior (2020)

Historical Bollywood Movies Tanhaji

Director: Om Raut
Actors: Ajay Devgn, Saif Ali Khan, Kajol, Luke Kenny, Sharad Kelkar

Tanhaji recounts the capture of Fort Kondhana by the Marathas. This was of strategic importance to Aurangzeb because from there he could keep an eye on the entire southern region. Shivaji had to cede the fort to him as a result of the Treaty of Purandar and was desperate to get it back. His trusted aide Tanhaji Malusare and his band of diehard soldiers captured the fort by scaling seemingly impregnable walls and defeated Commander Rajput Udaybhan who was in charge of the fort. Tanhaji lost his life while gaining the objective and the fort was renamed Sinhagad in his memory by Shivaji because he had fought like a lion. The grand scale of the war drama, the creatively designed battle scenes, and the final showdown between Tanhaji and Udaybhan made it a top-notch thriller. Ajay Devgn has come to life Tanhajihis intensity, his devotion to Shivaji and his undying love for his homeland with the greatest conviction. Saif Ali Khan‘and Shar Kelkar’s performances also garnered much praise.


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Neena Gupta’s Historical Movies You Must Add to Your Watchlist; check the list here https://taking-sides.com/neena-guptas-historical-movies-you-must-add-to-your-watchlist-check-the-list-here/ https://taking-sides.com/neena-guptas-historical-movies-you-must-add-to-your-watchlist-check-the-list-here/#respond Mon, 16 Mar 2020 07:00:00 +0000 https://taking-sides.com/neena-guptas-historical-movies-you-must-add-to-your-watchlist-check-the-list-here/ Neena Gupta’s acting career is simply inspiring. The National Award winner has never shied away from making unconventional film choices. The 60-year-old actor recently appeared on Shubh Mangal Zyada Savdhaan and fans fell in love with her performance in the comedy-drama. With that said, here are some of the best historical Neena Gupta movies that […]]]>

Neena Gupta’s acting career is simply inspiring. The National Award winner has never shied away from making unconventional film choices. The 60-year-old actor recently appeared on Shubh Mangal Zyada Savdhaan and fans fell in love with her performance in the comedy-drama.

With that said, here are some of the best historical Neena Gupta movies that fans should definitely consider watching:

Must-See Neena Gupta’s Historical Films

The Deceivers (1988)

Directed by Nicholas Meyer, the adventure film stars Pierce Bronson, Shashi Kapoor, Saeed Jaffrey, Helena Michell, Keith Michell, David Robb and Tariq Yunus in leading roles. Apart from these actors, Neena Gupta attempts a supporting role as Gopal’s wife / widow. The film is an adaptation of the John Masters novel containing the same name.

READ ALSO | Neena Gupta’s most breathtaking looks in one piece; Photos inside

Veer (2010)

The 2010 epic action film is directed by Anil Sharma. The film features Salman Khan, Zareen Khan, Mithun Chakraborty, Jackie Shroff and Sohail Khan in leading roles. Neena Gupta tried a great role of Veer’s mother.

The film revolves around the story of a leader Pindari Prithvi Singh who told his story from a reporter for the London Times. It is the story of a betrayal at the hands of the British and Raja Gyanendra Singh of Madhavgarh, which led to the brutal massacre of 4,500 Pindaris.

READ ALSO | Neena Gupta’s most stunning looks in sunglasses; See photos inside

Utsav (1984)

This 1984 drama film is directed by Girish Karnad and produced by Shashi Kapoor. The film features Shankar Nag, Rekha, Anuradha Patel, Amjad Khan, Shashi Kapoor and Shekhar Suman in the lead roles. Neena Gupta tries out the role of Madanika, who is the courtesan slave in Vasanysena’s house in the film. The film is an adaptation of the Sanskrit play from the 2nd century BC. Mrichakatika.

READ ALSO | Neena Gupta’s comedy movies you must add to your watchlist; See the list here

Gandhi (1982)

The 1982 epic historical drama film revolves around the life of great national leader Mohandas Karamchand Gandhi. The film features Candice Bergen, Edward Fox, John Gielgud, Trevor Howard, John Mills, Martin Sheen and Kingsley in key roles. Neena Gupta portrayed the role of Abha in the film.

READ ALSO | Neena Gupta’s “Veere Di Wedding”: Fascinating Anecdotes About The Movie You May Not Know

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There is nothing we can do about the protests against historical films https://taking-sides.com/there-is-nothing-we-can-do-about-the-protests-against-historical-films/ https://taking-sides.com/there-is-nothing-we-can-do-about-the-protests-against-historical-films/#respond Thu, 09 Jan 2020 08:00:00 +0000 https://taking-sides.com/there-is-nothing-we-can-do-about-the-protests-against-historical-films/ In general, artists find it more difficult to play real characters. But that was not the case with Ajay Devgn in his long-awaited film Tanhaji: The Unsung Warrior. Instead, he tells us that his biggest challenge was as a producer as they wanted to make a movie to live up to Hollywood productions. Directed by […]]]>

In general, artists find it more difficult to play real characters. But that was not the case with Ajay Devgn in his long-awaited film Tanhaji: The Unsung Warrior. Instead, he tells us that his biggest challenge was as a producer as they wanted to make a movie to live up to Hollywood productions.

Directed by Om Raut, Tanhaji: The Unsung Warrior is based on the story of warrior Maratha Tanaji Malusare. This is the second time that Devgn has played a historical figure after The Legend Of Bhagat Singh (2002).

The film sees Devgn’s wife, Kajol, playing Tanaji’s wife, Savitri, while Saif Ali Khan will be seen as the Rajput General Udaybhan Singh Rathod who led the Mughal garrison against Tanaji.

In a group media interaction, Devgn explained what made him excited about Tanaji’s story and how he was “allowed” by the usually extremist Maharashtra Navnirman Sena to dub the film in Marathi. He also shared his take on the protests that have become de rigueur for almost all historical films these days. Extracts:

What turned you on about Tanaji’s story?

When I heard the script, the first thing I realized was that he was such a great character who made such a big sacrifice. Then I decided to start a series called Unsung Warriors because there are so many of these warriors who died for the country, made such big sacrifices, [they have] such great stories but only became local heroes. Tanaji is only known in Maharashtra. Everyone knows Shivaji Maharaj, but no one knows [Tanaji] in the north.

So in this Unsung Warrior series after that it would be someone else from another state who has done a lot but is not known to the whole country. When I heard Tanhaji’s script, I thought it was a full script. It’s a good message. And we make commercial films that people love and they have drama and action. This story in itself has so much going on that I was thrilled with it.

Can we say he’s one of your toughest characters?

No, I won’t say that as an actor. As a movie, it was. There is a lot of homework and four and a half year research. Then we used a lot of technology because we don’t have anything on the 16th century now. Then the kind of 3D that we’ve done has never been done before in India. You decide if it’s better than the Hollywood standard, but at least we’ve come on par with that. We have created such visuals and technologies.

Saif Ali Khan as Udaybhan Singh Rathod

And we did all of this in India. We took no outside help. It was quite a task. And we didn’t know until the end if the movie was going to be the same as we had imagined.

You said a few lines in Marathi in Singham (2011) and Singham Returns (2015). It looks like this will continue in Tanhaji.

There isn’t a lot of Marathi dialogue in the film. Like I said, we want this movie to appeal to all of India. This is why we are releasing the Marathi version. Whoever wants to see the Marathi version can go to see it in Marathi.

Did you also dub for the Marathi version?

No, because this is not the type of local Marathi we are talking about. It is the language of the time. So it’s hard to catch this flavor.

The Maharashtra Navnirman Sena (MNS) has always opposed the practice of dubbing Hindi films into Marathi. But he made an exception for you.

Because it’s such a great story. Shivaji Maharaj is god here. And there hasn’t been a movie based on Tanaji. So they said you can do it in Marathi too.

You are working with Saif Ali Khan after 13 years. How did the reunion go?

It was lovely. We are getting along very well. I wanted Saif to make a movie like this because it’s a very edgy role for the gallery. He had this quirk that Saif already has. He is very pretty in this outfit. When the conflict takes place it should look like two Tuesdays fight among themselves.

What motivated the decision to choose Kajol as Savitri, Tanaji’s wife?

When I say that Tanaji sacrificed a lot, Savitri made a greater sacrifice. Wives who let their husbands go into battle without knowing whether they will return is also a big sacrifice. And for such a performance, I didn’t think anyone else could have done the role justice better.

Kajol had said that when you are on the set, you are 50% actor and 50% director.

In the sense that we get so attached to the film that we give directions on how to take a scene. We say I thought it could be done this way, but now you see how you want to do it.

Kajol as Saviritibai

What is the part of fact and fiction in the film?

Now that is a tricky question. When you read the story, they finish it in just two pages. Like, Tanaji was like that, he left for battle, his wife let him go, he left his son’s marriage and left, etc. But we have to create scenes like how he fought, what did he say to his wife, what incidents took place, what did he say to Shivaji Maharaj.

Were you worried about the recent debacle of Ashutosh Gowariker Panipat (2019)?

Not at all. People will like or dislike depending on the product. I’m not saying that [Panipat] was a bad movie. There must be reasons for this [film not doing well]. And the duration of our film is exactly two hours. It’s a 3D movie, so you can’t keep it for long or you’ll get a headache.

In recent years, there have been protests or controversies whenever a landmark film is slated for release.

You can’t help it. Either one will protest. There is nothing we can do about it. We are doing our best to ensure that no controversy occurs. Then we have to have a conversation with them and make them understand. If you read four history books, all four may have different facts. So what is fair? If one person follows one and the second person follows another, they will start fighting with each other.


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