Feature films – Taking Sides http://taking-sides.com/ Sat, 20 Nov 2021 17:03:47 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://taking-sides.com/wp-content/uploads/2021/10/icon-26-120x120.png Feature films – Taking Sides http://taking-sides.com/ 32 32 Lorain County is a good place to shoot feature films https://taking-sides.com/lorain-county-is-a-good-place-to-shoot-feature-films/ Sat, 20 Nov 2021 17:03:47 +0000 https://taking-sides.com/lorain-county-is-a-good-place-to-shoot-feature-films/ Lorain County is no stranger to the big screen, but the latest film in production is a testament to the fact that Lorain County towns such as Lorain and Elyria are ready to join in the conversations for more feature films to be shot. in these places. “The Company We Keep,” an original film written […]]]>

Lorain County is no stranger to the big screen, but the latest film in production is a testament to the fact that Lorain County towns such as Lorain and Elyria are ready to join in the conversations for more feature films to be shot. in these places.

“The Company We Keep,” an original film written and directed by Jeff C. Edelstein, began production on October 31 and is scheduled to end on November 22.

It stars Hollywood notable Eric Roberts enjoying his time in Lorain, and it shows on social media with all the photos he takes with the people of Lorain County being shared on social media.

Part of the film is shot at Lorain’s longtime market, Fligner’s, which the owners tout as the longest full-service meat counter in the United States.

Because Fligner’s has been in Lorain for over 90 years, it was more than fitting that part of the film be shot there.

There was a camera crane, lenses in protective boxes, a microphone boom, and a monitor to watch, but generally they left the store untouched.

And there are many other monuments in Lorain where producers can shoot films.

The trip to Ohio is Roberts’ first in Buckeye State.

Now, if Roberts’ name is unfamiliar, his face and voice probably is.

The Oscar nominee, who is the older brother of Oscar-winning actress Julia Roberts, has worked on numerous screens since the 1970s, amassing over 600 credits, including blockbusters, indie films, animated films , television series, animated series, short films and student films.

Roberts, originally from Mississippi, also has a daughter, Emma Roberts, who, you guessed it, is an actress.

Lorain County’s Liam Gomez, another actor on “The Company We Keep,” almost has a credit.

The youngster’s parents, Sarah Zientarski and Kevin Gomez, said their son is good at math and plays hockey in Elyria’s youth program.

Liam is a piano and vocal student at Rock Town Music Academy, where school founder and singer-songwriter Jaclyn Bradley suggested the role.

Normally a shy boy, Zientarski said Liam exploded with happiness when asked to perform on camera.

This is the first time that Liam has played a fictional role.

Liam didn’t have a scene that night, but came to add another autograph to the cast and crew’s signatures on the cover page of his script.

Lorain-based actor Kenny Santiago Marrero performs on camera and has served as a production assistant for several locations around the city and county of Lorain.

Returning to Roberts, his Internet Movie Database biography states, “Often plays wicked manipulators. “

But in this movie, Roberts plays the role of the manager.

At the supermarket, Roberts looked like any other employee in khaki and a black Fligner-branded sweatshirt with “How can I help you today?” »Printed on the back.

In one scene, Roberts speaks with two police officers looking for Carter.

In the story, Carter suffered abuse as a child and went on to work in the market.

It’s a traumatic and moving story, but it could raise awareness of the effects of child abuse.

On set, Roberts acknowledged that it is difficult to speak casually about child abuse, as it gives the impression that child abuse is cut off and risks dispelling the importance of the topic.

But we hope people pay attention to the film and its message about child abuse.

Even Marrero said that while reading the script, “it’s going to make your hair stand on end, some things, and the fact that it really happened.”

Marrero added that the film is actually based on real events that once took place, and that for him is very disturbing.

Marrero also thanked Lorain Mayor Jack Bradley, Lorain Police Chief James McCann, Lorain Police Department, retired Police Chief Cel Rivera and many others who helped with the production.

Roberts also trained at Lorain County Community College in Elyria before coming to Lorain.

The Southern California resident also loves bridges and Marrero had hoped to show him the Charles Berry Bascule Bridge, now the second largest of its kind in the world.

“The Company We Keep” is not the first feature film to be shot in Lorain County and will certainly not be the last.

Lorain County has several locations where film crews can produce films, from Lake Erie and the Black River to the north, to Cascade Park in Elyria or south to the Lorain County Fairgrounds in Wellington.

We hope to see more of Lorain County in future films.


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THE CHOICES OF RAY: Discover three feature films “At close range” | Ray’s choices https://taking-sides.com/the-choices-of-ray-discover-three-feature-films-at-close-range-rays-choices/ Sun, 14 Nov 2021 06:00:00 +0000 https://taking-sides.com/the-choices-of-ray-discover-three-feature-films-at-close-range-rays-choices/ Now streaming on Netflix. “Point Blank” (1967): I’m not sure I have Lee Marvin. To me, her face is as expressive as the head of an Easter Island statue, but that’s just me. However, there is no denying that this “Point Blank” is by far the most influential of the three we are reviewing this […]]]>

Now streaming on Netflix.

“Point Blank” (1967): I’m not sure I have Lee Marvin. To me, her face is as expressive as the head of an Easter Island statue, but that’s just me. However, there is no denying that this “Point Blank” is by far the most influential of the three we are reviewing this week. John Boorman uses bold visual and sound editing techniques, irregular rhythm and a general sense of disorientation in this adaptation of the first of Richard Stark’s “Hunter” novels (my hero’s pseudonym, Donald E. Westlake). The film features a remarkable cast of actors whose faces can express emotions, including Angie Dickinson, Carroll O’Connor, Keenan Wynn, Lloyd Bochner and John Vernon. It also includes great location footage with the Alcatraz always ready for the camera.

Now streaming on The Criterion Channel.

“The Unthinkable” (2018): Here’s a weird mix of disaster action movie and family relationship movie. In an extended prologue, we learn how Alex (Christoffer Nordenrot) suffers under the cold and violent father Björn (Jesper Barkselius) until Alex finally flees to the big city. A few years later he has become a successful musician, but unfortunately seems as cut and emotionless as his father. And then all hell breaks loose as the city endures a devastating wave of mysterious attacks of unknown origin. Movie-like style, Alex and Björn end up having to work together to keep a motley group of survivors (including Alex and her husband’s kind of childhood girlfriend) from succumbing to everything from hostile soldiers to rain. poisoned.


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Netflix reveals plans to expand Japanese content with feature films https://taking-sides.com/netflix-reveals-plans-to-expand-japanese-content-with-feature-films/ https://taking-sides.com/netflix-reveals-plans-to-expand-japanese-content-with-feature-films/#respond Tue, 09 Nov 2021 19:41:49 +0000 https://taking-sides.com/netflix-reveals-plans-to-expand-japanese-content-with-feature-films/ Netflix announced on Tuesday that it is expanding its range of Japanese titles with a host of ambitious projects and collaborations with top creators and talent during its 2021 Japan Festival. Throughout the two-day event, the streaming giant is expected to reveal more details on 50 new titles. The presentations on the first day will […]]]>

Netflix announced on Tuesday that it is expanding its range of Japanese titles with a host of ambitious projects and collaborations with top creators and talent during its 2021 Japan Festival.

Throughout the two-day event, the streaming giant is expected to reveal more details on 50 new titles. The presentations on the first day will focus on animation, and the second day will focus on live action. Netflix currently has 90 Japanese titles available on its platform.

Upcoming lineup features famous filmmakers including Yoshihiro Mori (We couldn’t become adults) and Hitori Gekidan (Child of Asakusa), as well as renowned animation film studios, including Studio Colorido (A mustache away, Drifting house).

“Our next big bet is to expand feature films,” said Sakamoto Kaata, vice president of content for Netflix in Japan. “Japan is home to extraordinary talents who are shaping the world’s cinematic history. With creators as diverse as those we work with today, we’re thrilled to play a part in the story of great local talent finding their voice and delivering them to audiences all over the world.. “

Netflix has seen a growing interest in Japanese content from its users, as several titles, including The Seven capital sins, Ragnarok recording and Ruroni Kenshin: the beginning, have climbed to the Top 10 in more than 50 countries. Additionally, more than 120 million households have watched at least one anime title on the streamer, which is more than double the 2018 figure.

Netflix’s Japan Festival 2021 will take place November 9-10.

Elsewhere in entertainment, Jump Festa 2022 is expected to reveal new information about the return of the Bleach lively.


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The Ajyal festival will present exciting feature films of tomorrow … https://taking-sides.com/the-ajyal-festival-will-present-exciting-feature-films-of-tomorrow/ https://taking-sides.com/the-ajyal-festival-will-present-exciting-feature-films-of-tomorrow/#respond Sat, 06 Nov 2021 09:50:48 +0000 https://taking-sides.com/the-ajyal-festival-will-present-exciting-feature-films-of-tomorrow/ (MENAFN- The Peninsula) Doha: The 9th Ajyal Film Festival presented by the Doha Film Institute (DFI) returns to offer local moviegoers memorable big-screen cinema experiences with screenings of exciting feature films from November 7-13. The screenings, part of the Festival’s return to in-person events this year, invite audiences to live transformative film experiences in a […]]]>

(MENAFN- The Peninsula) Doha: The 9th Ajyal Film Festival presented by the Doha Film Institute (DFI) returns to offer local moviegoers memorable big-screen cinema experiences with screenings of exciting feature films from November 7-13.

The screenings, part of the Festival’s return to in-person events this year, invite audiences to live transformative film experiences in a safe environment that meets government health guidelines.

Feature films that will be screened at the Katara Drama Theater (Building 16) and VOX Cinemas in Doha Festival City:

Winner of the Critics’ Week Grand Prix in Cannes, Plumes (France, Egypt, Netherlands, Greece / 2021) by Omar El Zohairy, follows an Egyptian wife and mother whose life is reinvented when a magician accidentally transforms her bossy husband in chicken.

DFI supported Costa Brava, Lebanon (Lebanon, France, Spain, Sweden, Denmark, Norway, Qatar / 2021) by Mounia Akl, follows the free-spirited Badri family who escape the overwhelming pollution and social unrest in Beirut by seeking refuge in a utopian mountain house they have built.

Writing with Fire (India / 2021) by Rintu Thomas and Sushmit Ghosh, winner of the Audience Award at the 2021 Sundance Film Festival, talks about the only Indian newspaper run by marginalized women who are breaking traditions, redefining what it means to be powerful.

Read also

  • What to do this weekend in Qatar (November 4-6, 2021)

Supported by DFI, Little Palestine, Diary of a Siege (Lebanon, France, Qatar / 2021) by Abdullah Al Khatib won the Interreligious Prize at the Festival Visions du Réel 2021, and documents the lives of the besieged inhabitants in the largest Camp of Palestinian refugees around the world.

Orca (Qatar, Iran / 2021) by Sahar Mossayebi, supported by DFI, tells the story of Elham, haunted by a traumatic experience and seeking to rediscover himself, finds comfort and salvation off the water.

Co-funded by DFI, Land of Dreams (USA, Germany, Qatar / 2021) by Shirin Neshat and Shoja Azari takes place in the near future in a small town in America, and follows an Iranian immigrant who has a personal obsession with trying to capture the dreams of its interviewees.

In Not So Friendly Neighborhood Affair (Bosnia-Herzegovina, Turkey / 2021) by Danis Tanović, tells the story of two friends living in the old town of Sarajevo, who run restaurants opposite each other but don’t seem not too worried about being commercial competitors. until a seemingly harmless courtesy spurs major competition.

Captains of Zaatari (Egypt / 2021) by Ali El Arabi, best friends Mahmoud and Fawzi, living in Za’atari refugee camp in Jordan after fleeing the war in Syria, who focus their energy on their first love, the soccer. When Aspire Academy arrives to select players for an international tournament in Qatar, the friends seize their opportunity.

DFI Grantee, School of Hope (Finland, France, Morocco, Qatar / 2020) by Mohamed El Aboudi, highlights how in the vast expanse of the desert, seasonal rains and snow once supported livestock, but now drought never seems to to finish. The film won the Special Jury Prize at the Hot Docs Canadian International Documentary Festival 2021.

Winner of the Grand Prix in Cannes, Asghar Farhadi’s A Hero (Iran, France / 2021) follows Rahim, imprisoned for having incurred a commercial debt that he is unable to repay. Life offers him a golden opportunity to secure his freedom, albeit at a questionable and immoral price.

Asteroid (Iran / 2021) by Mehdi Hoseiniv and Aalipour, winner of the Best Asian Film Award at the Fajr International Film Festival, follows Ebrahim, who bears much of the responsibility for his home of five younger siblings and his mother.

Winner of the FIPRESCI Prize at the 2021 Berlin International Film Festival, Brother’s Keeper (Turkey / 2021) by Ferit Karahan recounts Yusuf’s struggles in the face of bureaucratic obstacles put in place by the school’s law enforcement authorities in an attempt to help his friend .

Audience Award Winner at the 2021 Canadian International Documentary Festival Hot Docs, Dear Future Children (Germany, UK, Austria / 2021) by Franz Böhm is a film about the new generation at the heart of seismic political change, demonstrated by global protests on the rise.

NETPAC Award Winner in Busan, Fighter (South Korea / 2020) by Jéro Yun, tells the story of Jina who, after a courageous escape from North Korea, which controlled all aspects of her life, awakens in her a spirit combative and decides to enter the ring and compete.

Winner of the Grand Jury Prize for Best Documentary at SXSW 2021, Lily Topples the World (USA / 2021) by Jeremy Workman, follows Lily Hevesh, 20, the world’s greatest domino toppler and the only woman in her field .

Playground (Belgium, France / 2021) by Laura Wandel won the FIPRESCI Prize at Cannes Un Certain Regard 2021. The film tells the story of 7-year-old Nora, caught in a conflict of loyalty, and must finally try to find her place , torn between the worlds of childhood and adulthood.

Nobody Has to Know (Belgium, UK, France / 2021) by Bouli Lanners follows middle-aged Phil who, after a stroke, wakes up with apparent amnesia, with no memory of his past.

Josée, the Tiger and the Fish (Japan / 2020) by Kotaro Tamura is the story of Tsuneo, a college student who gets a job to help Josée, an artist whose imagination takes her far beyond her wheelchair. . But when the tide turns against them, they push each other to places they never thought possible and inspire a love worthy of a storybook.

Poupelle of Chimney Town (Japan / 2020) by Yusuke Hirota follows the young Lubicchi who meets a friendly monster made of garbage that he calls Poupelle. Convinced that “if you believe it, you will get by”, Lubicchi and Poupelle embark on a daring mission to discover a new world beyond the smoke.

Tickets for the 9th Ajyal Film Festival are available for purchase online at ajyalfilm.com, with the exception of screenings at VOX theaters for which tickets can be purchased directly at the VOX box office.

Prices vary depending on the screening and location, and a maximum of six tickets can be purchased per person. Members of the Qatar Museum Culture Pass can benefit from a 20% discount on tickets sold by DFI.

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The Ajyal festival will present the exciting feature films of tomorrow https://taking-sides.com/the-ajyal-festival-will-present-the-exciting-feature-films-of-tomorrow/ https://taking-sides.com/the-ajyal-festival-will-present-the-exciting-feature-films-of-tomorrow/#respond Sat, 06 Nov 2021 06:27:00 +0000 https://taking-sides.com/the-ajyal-festival-will-present-the-exciting-feature-films-of-tomorrow/ Doha: The 9th Ajyal Film Festival presented by the Doha Film Institute (DFI) returns to offer local moviegoers memorable big-screen cinema experiences with exciting feature film screenings from November 7-13. The screenings, part of the Festival’s return to in-person events this year, invite audiences to live transformative film experiences in a safe environment that meets […]]]>

Doha: The 9th Ajyal Film Festival presented by the Doha Film Institute (DFI) returns to offer local moviegoers memorable big-screen cinema experiences with exciting feature film screenings from November 7-13.

The screenings, part of the Festival’s return to in-person events this year, invite audiences to live transformative film experiences in a safe environment that meets government health guidelines.

Feature films that will be screened at the Katara Drama Theater (building 16) and VOX cinemas in Doha Festival City:

Winner of the Critics’ Week Grand Prix in Cannes, Plumes (France, Egypt, Netherlands, Greece / 2021) by Omar El Zohairy, follows an Egyptian wife and mother whose life is reinvented when a magician accidentally transforms her bossy husband in chicken.

DFI supported Costa Brava, Lebanon (Lebanon, France, Spain, Sweden, Denmark, Norway, Qatar / 2021) by Mounia Akl, follows the free-spirited Badri family who escape the overwhelming pollution and social unrest in Beirut by seeking refuge in a utopian mountain house they have built.

Writing with Fire (India / 2021) by Rintu Thomas and Sushmit Ghosh, winner of the Audience Award at the 2021 Sundance Film Festival, talks about the only Indian newspaper run by marginalized women who are breaking traditions, redefining what it means to be powerful.

Supported by DFI, Little Palestine, Diary of a Siege (Lebanon, France, Qatar / 2021) by Abdullah Al Khatib won the Interreligious Prize at the Festival Visions du Réel 2021, and documents the lives of the inhabitants under siege in the largest Camp of Palestinian refugees around the world.

Orca (Qatar, Iran / 2021) by Sahar Mossayebi, supported by DFI, tells the story of Elham, haunted by a traumatic experience and seeking to rediscover himself, finds comfort and salvation off the water.

Co-funded by DFI, Land of Dreams (USA, Germany, Qatar / 2021) by Shirin Neshat and Shoja Azari takes place in the near future in a small town in America, and follows an Iranian immigrant who has a personal obsession with trying to capture the dreams of its interviewees.

In Not So Friendly Neighborhood Affair (Bosnia-Herzegovina, Turkey / 2021) by Danis Tanović, tells the story of two friends living in the old town of Sarajevo, who run restaurants opposite each other but don’t seem not too worried about being commercial competitors. until a seemingly harmless courtesy spurs major competition.

Captains of Zaatari (Egypt / 2021) by Ali El Arabi, best friends Mahmoud and Fawzi, living in Za’atari refugee camp in Jordan after fleeing the war in Syria, who focus their energy on their first love, the soccer. When Aspire Academy arrives to select players for an international tournament in Qatar, the friends seize their opportunity.

DFI Grantee, School of Hope (Finland, France, Morocco, Qatar / 2020) by Mohamed El Aboudi, highlights how in the vast expanse of the desert, seasonal rains and snow once supported livestock, but now drought never seems to to finish. The film won the Special Jury Prize at the Hot Docs Canadian International Documentary Festival 2021.

Grand Prix winner in Cannes, Asghar Farhadi’s A Hero (Iran, France / 2021) follows Rahim, imprisoned for having contracted a commercial debt that he is unable to repay. Life offers him a golden opportunity to secure his freedom, albeit at a questionable and immoral price.

Asteroid (Iran / 2021) by Mehdi Hoseiniv and Aalipour, winner of the Best Asian Film Award at the Fajr International Film Festival, follows Ebrahim, who bears much of the responsibility for his family of five younger siblings and his mother.

Winner of the FIPRESCI Prize at the 2021 Berlin International Film Festival, Brother’s Keeper (Turkey / 2021) by Ferit Karahan recounts Yusuf’s struggles in the face of bureaucratic obstacles put in place by the school’s law enforcement authorities to try to help his friend .

Winner of the Audience Award at the 2021 Canadian International Documentary Festival Hot Docs, Dear Future Children (Germany, UK, Austria / 2021) by Franz Böhm is a film about the new generation at the heart of seismic political change, demonstrated by global protests on the rise.

Winner of the NETPAC Award in Busan, Fighter (South Korea / 2020) by Jéro Yun, tells the story of Jina who, after a courageous escape from North Korea, which controlled all aspects of her life, awakens in her a spirit combative and decides to enter the ring and compete.

Winner of the Grand Jury Prize for Best Documentary at SXSW 2021, Jeremy Workman’s Lily Topples the World (USA / 2021) follows 20-year-old Lily Hevesh, the world’s greatest domino “knocker” and the only woman in her field. .

Playground (Belgium, France / 2021) by Laura Wandel won the FIPRESCI Prize at Cannes Un Certain Regard 2021. The film tells the story of 7-year-old Nora, caught in a conflict of loyalty, and must finally try to find her place , torn between the worlds of childhood and adulthood.

Nobody Has to Know (Belgium, UK, France / 2021) by Bouli Lanners, follows middle-aged Phil who, after a stroke, wakes up with apparent amnesia, with no memory of his past.

Josée, the Tiger and the Fish (Japan / 2020) by Kotaro Tamura is the story of Tsuneo, a university student who gets a job to help Josée, an artist whose imagination takes her far beyond her wheelchair. . But when the tide turns against them, they push each other to places they never thought possible and inspire a love worthy of a storybook.

Poupelle of Chimney Town (Japan / 2020) by Yusuke Hirota follows the young Lubicchi who meets a friendly monster made of garbage that he calls Poupelle. Convinced that “if you believe in it, you’ll get through it”, Lubicchi and Poupelle embark on a daring mission to discover a new world beyond the smoke.

Tickets for the 9th Ajyal Film Festival are available for purchase online at ajyalfilm.com, with the exception of screenings at VOX cinemas for which tickets can be purchased directly at the VOX box office.

Prices vary depending on the screening and location, and a maximum of six tickets can be purchased per person. Members of the Qatar Museum Culture Pass can benefit from a 20% discount on tickets sold by DFI.


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Spokane Film Project partners with Seattle Black Film Festival to present films in 2021 https://taking-sides.com/spokane-film-project-partners-with-seattle-black-film-festival-to-present-films-in-2021/ https://taking-sides.com/spokane-film-project-partners-with-seattle-black-film-festival-to-present-films-in-2021/#respond Thu, 04 Nov 2021 18:09:05 +0000 https://taking-sides.com/spokane-film-project-partners-with-seattle-black-film-festival-to-present-films-in-2021/ The Spokane Film Project and the Seattle Black Film Festival are teaming up with an event called SBFF Remix. The event aims to offer local independent film enthusiasts a chance to watch films presented at the Seattle Black Film Festival. In 2003, Jacqueline Moscow established the Langston Hughes African American Film Festival, which “aimed to […]]]>

The Spokane Film Project and the Seattle Black Film Festival are teaming up with an event called SBFF Remix. The event aims to offer local independent film enthusiasts a chance to watch films presented at the Seattle Black Film Festival. In 2003, Jacqueline Moscow established the Langston Hughes African American Film Festival, which “aimed to give audiences access to under-represented perspectives and emerging filmmakers from the African diaspora.”

Renamed the Seattle Black Film Festival, this year’s edition of the festival took place in April. The film festival had twice as many offerings as the 2020 festival. Almost 70 films focused on four themes related to the displacement of the diaspora, the decolonization of black narratives in cinema, the future of the black identity and “Black love, self-love”. Some of the material for the Seattle Black Film Festival will be short films and other condensed programs.

With the rise of diversity, equity and inclusion initiatives, filmmakers of color strike while the iron is hot. Juan A. Mas, one of the co-founders of the Spokane Film Project, is a Latino man who seeks to expand Spokane’s cinematic options through the program. Mas has been in the film industry for almost 30 years. He made his debut in Los Angeles, where he witnessed the power to invest in younger communities. After being in Spokane for 27 years, Mas seeks to cultivate a fertile environment with opportunities to empower the next generation of filmmakers and artists.

“Our community as a whole is unaware, and artistic capacities exist in communities (BIPOC), but exposing these things to our young communities is our way of going to school outside of school.” , Mas said. “It’s not just about us arts organizations, but really about the next wave of artists in our community. We have to start with young people to inspire them.

As a volunteer working with Spokane Arts, her community work aims to provide the youth of Spokane with various opportunities. He is currently a director and producer for statewide and local film projects. “We’re not only expanding the material we bring to Spokane, but we’re also increasing work in marginalized communities that don’t get enough support in the art and film industries,” Mas said.

Mas hopes the event will attract pockets of diversity to Spokane. He also hopes to connect with more community organizations that combine diversity and art. One of the groups that the Spokane Film Project looks forward to partnering with is Terrain, the local organization that centers “community and economic opportunities for artists, creators and cultural creators of the Inland Northwest.”

“These cultures exist and are strong, vibrant and healthy,” Mas said. “Here you are going to step into that inclusion within the representation of blacks in the performing arts and the people of BIPOC. Mas can’t wait to fill up the Magic Lantern Theater for the special event. Happy to spend the first Saturday of the month collaborating, connecting and networking, he hopes people will stick around after the movies to talk about opening more doors for similar events.

“I am so excited to see the response from the communities. It’s like the benchmark that we use, ”Mas said. “In the film industry, if there is work on the West Side, it’s the whole state because the industry is growing. It would be ideal to have filming plans across the state, as well as slightly different events. I hope people find common values, wishes and hope during this program.

“We want to bridge the gap – generationally, environmentally, culturally, in all of these (ways).”


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South Park creators make it clear that Paramount + projects are not feature films https://taking-sides.com/south-park-creators-make-it-clear-that-paramount-projects-are-not-feature-films/ https://taking-sides.com/south-park-creators-make-it-clear-that-paramount-projects-are-not-feature-films/#respond Sat, 30 Oct 2021 00:51:00 +0000 https://taking-sides.com/south-park-creators-make-it-clear-that-paramount-projects-are-not-feature-films/ South Park creators Trey Parker and Matt Stone say the fourteen new projects in the Paramount + deal won’t be feature films. South Park creators Trey Parker and Matt Stone have clarified that their new projects with Paramount + will not be feature films. South Park has sparked controversy and generated laughter since 1992, when […]]]>

South Park creators Trey Parker and Matt Stone say the fourteen new projects in the Paramount + deal won’t be feature films.

South Park creators Trey Parker and Matt Stone have clarified that their new projects with Paramount + will not be feature films. South Park has sparked controversy and generated laughter since 1992, when Parker and Stone met in a film class at the University of Colorado in Boulder. Apparently no social issue, person, or event has been banned over the years, and their unique brand of comedy has reached far beyond television into the realm of feature films and Broadway theater.

Over the past summer, Parker and Stone signed a lucrative $ 900 million deal with ViacomCBS to produce 14 projects exclusively for Paramount +. The deal also renewed the series until season 30 and is valid until 2027. Currently, Parker and Stone are the creators of three feature films: South Park: bigger, longer and uncut, Team America: World Police, and BASEketball. Audiences last left the show in March 2021 when the “South ParQ Vaccination Special” saw Mr. Garrison come to himself after posing as a version of the President for the past six years.


Related: Is South Park On Netflix, Hulu, Or Prime? Where to watch online

In a recent interview with THR, Parker and Stone basically confirmed that fans shouldn’t expect South Park feature films will soon begin airing on Paramount +. The duo went on to note that the projects will also not be reminiscent of recent specials posted on Comedy Central amid the Covid-19 pandemic. Currently the South Park The crew continue to work remotely and they shared that they’ve undone most of the tech tribulations. Nonetheless, Parker and Stone both agreed that being in separate spaces presents its challenges. Read what the creators have to say below:

“With Viacom, we realized that we could make them as long or as short as we needed,” Parker explains of upcoming projects. “And then they went and called them movies. They were the ones who said we were giving them 14 movies in seven years. All I can say is that for me, personally, I’m 52 years old, j ‘ve made three films in my life. So do the math. “

Stone adds, “We try to make what’s on Paramount + different from anywhere else, so hour-long movies made for TV are our focus. We will do two TV movies a year. They’ll be big, but they’re not quite the scale of a movie.

South Park character lineup

As for future storylines, Parker and Stone agree that to some extent, the mood of the country, and even at times the whole world, is what gives the series its foundation and direction. For the most part, the comedic duo enjoy the freedom to bounce back and explore various topics. However, Stone feels somewhat trapped these days, engaging in bigger issues such as the pandemic, which still looms large in society.

Parker and Stone have unparalleled comedic chemistry and they naturally feed off of each other. The ensuing magic is manifested throughout their career, from the brilliance of South Park to the splendor of The Book of Mormon. While the team is still working remotely, rather than in their Marina del Rey studio, the possibility of suffering from energy and content is always there. However, time and time again Parker and Stone have shown fans and critics that they are an almost unstoppable force that has stood up to even the current era of cancellation culture. It seems the couple have more than proven themselves to be masters of perseverance, and no pandemic is likely to stop them from continuing to do what they have always done so well.

Next: Why Trey Parker Hated South Park’s Warcraft Episode Enough To Cancel It

Source: THR

Walker Star Lindsey Morgan Leaves The CW Series During Season 2


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South Park films for Paramount + won’t be feature films https://taking-sides.com/south-park-films-for-paramount-wont-be-feature-films/ https://taking-sides.com/south-park-films-for-paramount-wont-be-feature-films/#respond Wed, 27 Oct 2021 21:09:14 +0000 https://taking-sides.com/south-park-films-for-paramount-wont-be-feature-films/ A little like The simpsons, South Park just keep on trucking. Trey Parker and Matt Stone signed a lucrative new deal with ViacomCBS earlier this year that will not only see South Park renewed until season 30, but also includes 14 South Park movies for Paramount +. Related South Park: Two new films will be […]]]>

A little like The simpsons, South Park just keep on trucking. Trey Parker and Matt Stone signed a lucrative new deal with ViacomCBS earlier this year that will not only see South Park renewed until season 30, but also includes 14 South Park movies for Paramount +.

However, if you expect these South Park movies fit for the big screen, Trey Parker and Matt Stone want you to temper those expectations. The South Park the creators sat down with THR to discuss the upcoming “TV movies,»The first of which will fall on Paramount + the 25 november. Title South Park: Post Covid, Trey Parker says the film will find “boys facing a post-Covid world. They’re just trying to get back to normal. So it’s like our show. We’re just trying to get back to normal.Parker and Stone went on to say that the South Park the films will not be feature films and will be as long or as short as the story dictates.

With Viacom, we realized that we could make them as long or as short as we needed. And then they went to call them movies. They are the ones who said they were offered 14 films in seven years. All I can say is for me, personally, I am 52 years old, I have made three films in my life. So you do the math.

Matt Stone added: “We try to make what’s on Paramount + different from anywhere else, so hour-long movies made for TV are our focus. We will make two TV films a year. They’ll be big, but they’re not quite the scale of the movie.As for the new season of the show, Stone and Parker say that while they can’t ignore the realities of the world, they’re looking to go back to the roots of the show’s pre-serialization. “We would like to come back to where we can every week to do something totally different,”Said Pierre. “We tried to experiment with serialization. This has had mixed results. And the last five or six years have been dominated by Trump, being political and the changing tone of society. And then the pandemic. We don’t want everything to revolve around the pandemic, but it is.


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Golden Isles Could Be A Star In Feature Films And TV Shows | Daily Editorial https://taking-sides.com/golden-isles-could-be-a-star-in-feature-films-and-tv-shows-daily-editorial/ https://taking-sides.com/golden-isles-could-be-a-star-in-feature-films-and-tv-shows-daily-editorial/#respond Fri, 22 Oct 2021 04:00:00 +0000 https://taking-sides.com/golden-isles-could-be-a-star-in-feature-films-and-tv-shows-daily-editorial/ Even with a plethora of entertainment options at your fingertips – from streaming music and video games to content created on YouTube, TikTok, and other platforms – there’s still something awesome about movies. and scripted television. It’s hard to find anything that matches the fun of discussing the latest developments on your favorite TV show […]]]>

Even with a plethora of entertainment options at your fingertips – from streaming music and video games to content created on YouTube, TikTok, and other platforms – there’s still something awesome about movies. and scripted television. It’s hard to find anything that matches the fun of discussing the latest developments on your favorite TV show or going to see the next big movie that everyone has to see.

If you watch the credits of your favorite movie or TV show, don’t be surprised if you find a logo depicting a peach with the words “Made in Georgia” prominently displayed. The state has become the Hollywood of the South, if you will, in terms of filming and TV shows.

The state became a filmmaking paradise when it began offering tax credits to filmmakers in 2008 if they made their films in the state. These incentives have worked better than anyone could have imagined. A Capitol Beat News Service story in July reported that film and television productions accounted for $ 4 billion in direct spending.

The Golden Isles got a piece of the state movie pie. In July, the Netflix series “Pieces of Her” was filmed in the Pier Village on the island of St. Simons. The Golden Isles are officially part of the Marvel Cinematic Universe on Friday as the Black Panther sequel begins filming at Mary Ross Waterfront Park.

To accommodate the filming, the park will be closed at least until November 8. The studio, Kimoyo Productions, will donate $ 15,000 to the city for the use of the park and an additional $ 1,000 per day if the shoot goes beyond November 8.

Although it is difficult to close a city park on short notice, the city commission made the right decision to accept the studio’s offer. The money the studio pays is nice but more than that it shows that the Golden Isles are flexible and willing to work with filmmakers. And being part of one of the biggest movie franchises in the world is not to be sneezed at. The sequel to Black Panther will draw millions of people to theaters every time it is released. Playing a role to bring it to the screen is quite the feather in the city’s hat.

Reputation matters a lot in the film industry, and the Islands are showing their willingness to work with studios to meet their needs. Word will spread and more and more people will consider bringing their productions to the region.

We can’t wait to see all of the familiar island landscapes in movies and on our televisions.


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Mindseye enters the feature film ring with Champion | New https://taking-sides.com/mindseye-enters-the-feature-film-ring-with-champion-new/ https://taking-sides.com/mindseye-enters-the-feature-film-ring-with-champion-new/#respond Wed, 20 Oct 2021 09:22:30 +0000 https://taking-sides.com/mindseye-enters-the-feature-film-ring-with-champion-new/ Mindseye will embark on feature films with Champion, a film about 1920s / 30s black British boxing sensation Len Johnson. Champion will be produced by Guy East (Rush, Sliding Doors, The Woman in Black, The Ides of March) and a screenplay inspired by the book Boxing’s Uncrowned Champion – Len Johnson and the Color Bar, […]]]>

Mindseye will embark on feature films with Champion, a film about 1920s / 30s black British boxing sensation Len Johnson.

Champion will be produced by Guy East (Rush, Sliding Doors, The Woman in Black, The Ides of March) and a screenplay inspired by the book Boxing’s Uncrowned Champion – Len Johnson and the Color Bar, written by Rob Howard, is being written. by playwright Winsome Pinnock (Rockets and Blue Lights, Leave Take).

It is produced by Hughie Phillips and Katie Mavroleon, the latter having joined Mindseye as Head of Development in 2019 after the creation of its Film & TV division. This is in addition to the advertising work it has produced since its launch in 2011.

Champion will follow the story of Mancunian Johnson as he became one of the top middleweight boxers in the 1920s and 30s while battling the racism that kept him from reaching the top of the sport. Johnson won 93 fights during his career, but despite being a local hero respected by other fighters, he was denied the chance to become British champion because he was of mixed race. The government at the time had a law, the “color bar,” which only allowed children of white parents to claim champion status.

Johnson fought against this in the ring by beating all the champions of the day, and outside of that through an anti-racism campaign against the British Boxing Board of Control alongside his white Irish wife Annie. While Johnson was never able to receive the recognition he deserved, his work led to overturning the “color bar”.

Last year, a petition backed by boxers Anthony Joshua and Ricky Hatton and Greater Manchester Mayor Andy Burnham was launched to erect a statue of Johnson in Manchester.

Hughie Phillips, Co-Founder and CEO of MindsEye, said: “We are delighted to partner with Guy East and Winsome Pinnock to bring Len Johnson’s timely and so far virtually unknown story to screen. Len Johnson was a man born ahead of his time, whose dignity and resilience led him to overcome obstacles in the bravest way. Len leaves us with a victorious and crucial legacy, which we look forward to sharing with audiences around the world, finally giving Len the recognition he deserves.


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