16 great film adaptations of Stephen King


16. Gerald’s game (Flanagan, 2017)

Director Mike Flanagan’s “Function test” for the shiny 2 a.k.a Doctor Sleep, Gerald’s game is a stylish new entry in the “Stephen King’s Best Picture” category. Carla Gugino is wonderful as the woman who finds herself handcuffed to a bed after her husband has had a heart attack. She has little hope of being saved. As she lays there, she must find a way to survive and possibly escape while battling increasingly bizarre psychological terrors.

15. The mist (Darabont, 2007)

The Mist, Film, Stephen King, Frank Darabont,

Mist certainly has its fans. Dan Grant Ranked it among his top 10 twisted horror movie moments thanks to the powerful ending that is no doubt unsettling. Indeed, so devastating is that of the mist closing minutes, Rob keeling put it in the top 5 of her favorite “rhythmic endings” and while the disappointing follow-up miniseries ended in that of Erik Winther list of directors who had failed in King’s work, he found time to sing the praises of the film.

14. The Shawshank Redemption (Darabont, 1994)


A favorite of many (and sporting a staggering 9.3 out of 10 score on IMDB), Shawshank’s Redemption seems like the movie you can’t watch without falling in love with it. This is certainly an elegant prison-based drama, offering excellent performances from Tim robbins and Morgan freeman specifically. And it has a feel-good factor that, perhaps more than anything, has captured the hearts of the public. From King’s short story Rita Hayworth and Shawshank Redemptionis the story of a friendship that spans decades, telling how to overcome oppressive authority and celebrate the human spirit.

13. The Green Thousand (Darabont, 1999)

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Director Franck Darabont returns to epic prison movie to adapt King’s The green Line, a whimsical and touching film about death row at Cold Mountain Penitentiary that mixes gripping drama with a touch of whimsy. The end Michael clark duncan delivers his best performance as inmate John Coffey who changes the lives of guards and inmates with his magical healing powers. Darabont knows how to layer sentimentality and is aided in his quest by one of King’s saddest stories. but there’s a lot to love about the film’s three hours. Duncan’s gentle giant provides the film’s most touching hook, while At Doug Hutchinson performance as evil guardian Percy Wetmore cools in his heartless wickedness.

12. Thinner (Holland, 1996)

Thinner, Film, Stephen King

The underrated gem in the Stephen king cinema cannon. Not surprising Tom holland, director at the same time excellent Night of dread, is at the helm. Thinner is essentially a matter of greed and arrogance with the added bonus of age-old black magic. Filled with King’s dark humor and some truly creepy moments, this fun thriller features a great premise and an ultra-cool bad-boy performance. Joe mantegna.

11. The Dark Half (Romero, 1993)

The Dark Half, Movie, Stephen King

Writer Thad Beaumont made a living writing under the name George Stark, but decides to end his association with the name and finds the alter-ego taking on human form in order to defend his role in the creative endeavors of Thad. Thad must try to protect himself and his family from murderer Stark as an actor Timothy hutton brings both characters to life.

10. Silver bullet (Attias, 1985)

Silver bullet is based on that of Stephen King news Werewolf cycle. He sees Marty Coslaw in a wheelchair (Corey Chaim) realizing that a werewolf might be on the loose in his sleepy hometown of Tarker’s Mills. It’s an interesting take on werewolf lore that perfectly combines humor with a reasonably inventive play on old tropes. One of the most appealing aspects of the film is the way the director Daniel Attias combines King’s community unity and the idea of ​​martial law history with a Jean Charpentiersiege-style mentality that sees locals taking matters into their own hands.

9. Christine (Charpentier, 1983)

With Jean Charpentier in the director’s chair this Stephen king the adaptation is darker than most. It features an excellent soundtrack and, although similar in configuration to the equally distraught teenager Carrie, throws a neat spin on it. Christine isn’t one of King’s best novels, so it’s a testament to Carpenter’s skill as a cinematic storyteller that the film version is so enjoyable.

8. The dead zone (Cronenberg, 1983)

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David Cronenberg takes the reins to bring that of Stephen King beautiful novel The dead zone on the screen. He moves the film into the cold winter days and nights of the Canadian suburbs to play the role of New England, a perfect backdrop for Johnny Smith’s grim existence (Christophe Walken – which is generally convincing). He plays a car crash victim who wakes up from a coma five years after the crash to discover he can see into people’s futures. When a chance meeting with a presidential candidate shows him a future destroyed by nuclear war at the behest of that president, he decides to take matters into his own hands to stop him.

7. It: Chapter One (Muschietti, 2017)

Director Andy Muschietti had previously proved his credentials with funny horror Mom in 2013. Here he underlines them. He’s playful with his star – undeniably the villain of the play, Pennywise the Dancing Clown – while also reinforcing the beating heart of the story, that is, the friendship that binds the Loser’s Club. For a novel on the scale of that of Stephen King This, you have to refine the plot somehow and by focusing on this unique and chilling coming-of-age story, Muschietti offers us an emotionally evocative and entertaining thrill ride that happily recalls the childhood imaginations and those seemingly endless summers where memories are founded and friendships unbreakable made.

6. It’s Stephen King (Wallace, 1990)

An earlier take on that of Stephen King epic horror story, director Tommy lee wallace A film made for television turns a book of over a thousand pages into three hours of terrifying terror. A tale about the bonds forged in childhood and how these friendships last into adulthood. He sees King’s imagination run wild thanks to his brilliant villain, Pennywise the Clown (a monster who can alter his appearance to become his prey’s worst nightmare). What makes this screen version so good is Tim curry child killer clown, his naturally enlarged features give Pennywise a creepy appearance to complement some kinky humor.

5. Doctor sleep (Flanagan, 2019)

Doctor Sleep is unique in that it is both an adaptation of King’s book, a sequel to his own 1977 novel, and a sequel to Kubrick’s 1980 film. Kubrick took liberties much to King’s chagrin with The brilliant, eliminating for the screen the elements that made the film very different from the book. When King wrote his sequel in 2013, it was based on his original story, with all of those elements present and correct. Doctor Sleep – as a film – therefore accommodates Kubrick’s effort, making certain concessions to adapt the source novel more or less faithfully. Despite Flanagan’s effort inevitably falling into the shadow of the 1980 film, Doctor Sleep is daring and efficient, conspiring to likewise cool bones.

4. Misery (Reiner, 1990)

Rob reiner knows how to adapt a Stephen king story for the big screen. He has done it twice, and each time the writer himself has approved it with glowing appreciation. Misery is one of the novelist’s best, blending ironic, self-referential humor with murderous chills that work as flawlessly on screen as they do on the page. The story largely follows two characters in an isolated house – a car crash survivor (James caan) and the woman who cares for him (Kathy bates). The problem is, the woman, Annie Wilkes, is a psychopath. It’s a tension-filled thriller with stellar performances including one of Bates’ best.

3. Carrie (De Palma, 1976)

Carrie, Movie, Palma, Sissy Spacek, Stephen King

Carrie is fortunate to have a great story and a strong central performance of sissy espacek with the wonderful support of Piper Laurie like his mother. Brian De Palma is also perfectly suited to King’s material – the female sexuality and voyeurism that the director has flirted with in other films are brought to the fore here, as is the director’s penchant for Hitchcockian sensations and sophisticated editing and filming techniques. filming.

2. Stay close to me (Reiner, 1986)

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It’s a wonderful small town drama with a very simple premise: four teenagers go in search of a corpse. Stephen king admitted he liked the movie, praising the director Rob reiner for his work in making the short story on screen. Half road movie, half story of maturity, Support me Much of his qualities come from the perfect cast and Reiner’s confidence in working with talented young actors. There is something very natural about their friendship; the links seem real. It is the unforgettable adventure, the one that again makes you languish from those childhood summers.

1. The Brilliant (Kubrick, 1980)

The Shining, Stanley Kubrick, American Horror Cinema,

Stanley kubrick strips the novel of much of its exposure and focuses the story on young child Danny (Danny Lloyd) and the deterioration of the psyche of his father Jack (Jack nicholson). Danny appears to have psychic ability and begins to see the ghosts of two young children who may have been murdered in the hotel. As Danny learns more about his surroundings, Father Jack’s mental state worsens as he is consumed by a supernatural evil present in the hotel. Kubrick’s cold, calculated distillation of the source novel creates a horror masterpiece that is as visually striking as it is emotionally unnerving. And it features an iconic performance by Jack Nicholson.

Written and compiled by Dan Stephens.

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